“Books are finite, sexual encounters are finite, but the desire to read and to fuck is infinite; it surpasses our own deaths, our fears, our hopes for peace.” ― Roberto Bolaño
terça-feira, 31 de outubro de 2017
domingo, 29 de outubro de 2017
Hakusai - Anne Carson - Marília Garcia
A raiva é uma cadeado doloroso
mas que pode ser aberto.
Hokusai, 83 anos,
disse,
é hora de fazer meus leões.
Todas as manhãs
até sua morte
219 dias depois
ele desenhou
um leão.
Rajadas de vento do noroeste.
Leões balançavam
e saltavam
do alto
dos pinheiros
para as ruas
cobertas de
neve ou sei
estatelavam
sobre a cabana dele,
as patas brancas
ferindo as estrelas
ao cair.
Eu sigo desenhando
em busca
de um dia calmo,
dizia Hokusai
enquanto os leões tombavam.
Marília Garcia. Disponível aqui.
mas que pode ser aberto.
Hokusai, 83 anos,
disse,
é hora de fazer meus leões.
Todas as manhãs
até sua morte
219 dias depois
ele desenhou
um leão.
Rajadas de vento do noroeste.
Leões balançavam
e saltavam
do alto
dos pinheiros
para as ruas
cobertas de
neve ou sei
estatelavam
sobre a cabana dele,
as patas brancas
ferindo as estrelas
ao cair.
Eu sigo desenhando
em busca
de um dia calmo,
dizia Hokusai
enquanto os leões tombavam.
Marília Garcia. Disponível aqui.
sexta-feira, 27 de outubro de 2017
quarta-feira, 25 de outubro de 2017
Um poema de Elisabete Marques
BATER A PEDRA, BATER
o chão. Perpendicular
a perna do homem, fio-de-prumo,
constituindo medida e
sustento do gesto. O homem calça-terra
agora está de joelhos.
A gota do rosto
deslizando como
mínimo mar quase em queda.
Sua boca toca a lata precisa de cócacóla.
E os passantes desajeitados
acertam batentes tacões sobre o tosco fóssil desenhado.
Cisco. Lisboa: Mariposa Azual, 2014.
segunda-feira, 23 de outubro de 2017
sábado, 21 de outubro de 2017
Canto I - Radu Vancu
There will be people and they will push the world further.
Today it is evening, we are building a Lego police station
and we are watching Cars.
Today the world does not deserve to be pushed further than that.
Today we have not seen the sun struggling tetanized
in the sky. It seemed it never existed.
Today God was not the concept with which
we measure our pain, as John sings.
Maybe it measured the convulsions and torture of the sun,
what do I know. For us there existed
only the slow growth of the police station
and no sun to ruin any plans
above it.
We need a Lego sun shining without alternative
above a Lego abyss. Young Lego peasants
from a Lego Galilee
taking upon them all the Lego sins and dejections.
We need Lego children singing:
“in the shadow of the Lego cross we sat down and wept.”
A Lego John Lennon singing about
Lego gods and concepts and pains.
Only then will the sun struggle happily
in convulsions. Only then will the world deserve
to be pushed on.
Today it is evening, we are building a Lego police station
and we are watching Cars. The milk
gets warm in the white tin cup.
Nothing, and this is no big talk – nothing
can push us further.
4 A.M. Domestic Cantos, 2015.
quinta-feira, 19 de outubro de 2017
terça-feira, 17 de outubro de 2017
If our place is where
If our place is where
silent contemplation among things
needs us
saying is not knowing, it is the other
all fated path of being.
This is the gepgraphy.
This is how we stay in the world
pensive adventures of humanity,
that is how we are form
that forms blindly
in talking about itself
by vocation.
Silvia Bre, in Italian Contemporary Poets: An Anthology. Edited by Franco Buffoni. Federazione Unitaria Italiana, 2016, p. 32.
silent contemplation among things
needs us
saying is not knowing, it is the other
all fated path of being.
This is the gepgraphy.
This is how we stay in the world
pensive adventures of humanity,
that is how we are form
that forms blindly
in talking about itself
by vocation.
Silvia Bre, in Italian Contemporary Poets: An Anthology. Edited by Franco Buffoni. Federazione Unitaria Italiana, 2016, p. 32.
domingo, 15 de outubro de 2017
sexta-feira, 13 de outubro de 2017
Home Wrecker - Ocean Vuong
And this is how we danced: with our mothers’
white dresses spilling from our feet, late August
turning our hands dark red. And this is how we loved:
a fifth of vodka and an afternoon in the attic, your fingers
sweeping though my hair—my hair a wildfire.
We covered our ears and your father’s tantrum turned
into heartbeats. When our lips touched the day closed
into a coffin. In the museum of the heart
there are two headless people building a burning house.
There was always the shotgun above the fireplace.
Always another hour to kill—only to beg some god
to give it back. If not the attic, the car. If not the car,
the dream. If not the boy, his clothes. If not alive,
put down the phone. Because the year is a distance
we’ve traveled in circles. Which is to say: this is how
we danced: alone in sleeping bodies. Which is to say:
This is how we loved: a knife on the tongue turning
into a tongue.
Ocean Vuong. Retrieved from here.
white dresses spilling from our feet, late August
turning our hands dark red. And this is how we loved:
a fifth of vodka and an afternoon in the attic, your fingers
sweeping though my hair—my hair a wildfire.
We covered our ears and your father’s tantrum turned
into heartbeats. When our lips touched the day closed
into a coffin. In the museum of the heart
there are two headless people building a burning house.
There was always the shotgun above the fireplace.
Always another hour to kill—only to beg some god
to give it back. If not the attic, the car. If not the car,
the dream. If not the boy, his clothes. If not alive,
put down the phone. Because the year is a distance
we’ve traveled in circles. Which is to say: this is how
we danced: alone in sleeping bodies. Which is to say:
This is how we loved: a knife on the tongue turning
into a tongue.
Ocean Vuong. Retrieved from here.
quarta-feira, 11 de outubro de 2017
segunda-feira, 9 de outubro de 2017
Van Damme - Diego Moraes
A gente fazia faculdade de jornalismo na uninorte. Ela me dava bola.
Queria sair comigo. Quem sabe namorar e ter filhos. Um dia cheguei
chapado na sala e disse que van damme era melhor que godard. Ela não
perdoou. O amor acabou e virou ódio. Algumas mulheres perdoam tudo,
menos um bêbado falando que van damme é melhor que godard. O mais foda é
que estou revendo O grande dragão branco no telecine e não mudei de
opinião. Van damme é o cara.
Diego Moraes - Retirado daqui.
quinta-feira, 5 de outubro de 2017
terça-feira, 3 de outubro de 2017
A Short Story of Falling - Alice Oswald
It is the story of the falling rain
to turn into a leaf and fall again
it is the secret of a summer shower
to steal the light and hide it in a flower
and every flower a tiny tributary
that from the ground flows green and momentary
is one of water's wishes and this tale
hangs in a seed-head smaller than my thumbnail
if only I a passerby could pass
as clear as water through a plume of grass
to find the sunlight hidden at the tip
turning to seed a kind of lifting rain drip
then I might know like water how to balance
the weight of hope against the light of patience
water which is so raw so earthy-strong
and lurks in cast-iron tanks and leaks along
drawn under gravity towards my tongue
to cool and fill the pipe-work of this song
which is the story of the falling rain
that rises to the light and falls again
Alice Oswald. Falling Awake. W.W. Norton & Company, 2016.
domingo, 1 de outubro de 2017
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